Critical and Cultural TheoryUploader: Moogujinn 5 years ago Subscribe 1
At the same time software does not represent a neutral artefact - it imposes certain affordances, logics, structures and hierarchies of knowledge onto the media making processes. O Este artigo discute o fenômeno das narrativas transmídia e das adaptações em termos da valorização deste gênero específi co de produção midiática. However, archival practices are changing with digitization. Through an ethnographic exploration of two cases of open-source animation film production — Gooseberry and Morevna, formed around the 3D graphics Blender and the 2D graphics Synfig communities — we explore how sharing and production of commons generates values and relationships which trigger the movement of producers, software and films between different fields of cultural production and different moral economies — those of the capitalist market, the institutions of public funding and the commons.